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The Big Book of Watercolor Review

Clara Rivers

Written by Clara Rivers

Updated Jan 2026 schedule 12 min read

The Big Book of Watercolor by Parramon — book cover
All Levels · 4.8 / 5.0

Overview

The Big Book of Watercolor by Parramon's Editorial Team lives up to its name in the most literal way. At 288 densely illustrated pages, it covers more ground than any other single watercolor volume in English — from the physics of pigment absorption to full multi-session compositions, and everything in between.

Originally published in Spain by Parramon and translated for the English-language market by Watson-Guptill, this book has been a studio fixture for a generation of painters. Unlike most introductory guides, it doesn't condescend — it treats the reader as an adult who wants a real understanding of the medium.

What's Inside

  • check_circle History and materials — in-depth coverage of pigments, papers, brushes
  • check_circle Full technique library: wash, graded wash, wet-in-wet, dry brush, lifting, masking
  • check_circle Composition and perspective fundamentals for painters
  • check_circle Subject chapters: landscapes, seascapes, architecture, figures, still life
  • check_circle Full-length painting demonstrations with step-by-step commentary
  • check_circle Gallery of finished works by multiple master painters

add_circle Pros

  • Unmatched breadth — covers every aspect of the medium
  • Multiple contributing artists, multiple approaches
  • Exceptional production quality and print resolution
  • Remains relevant at every skill level

remove_circle Cons

  • Heavy — not for painting en plein air
  • Some sections feel dated (translated in 1985)
  • Not an easy-entry beginner book — dense in places

Who Is This For?

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The Studio Builder

Wants one authoritative book that covers everything — the foundation of a serious painting library.

travel_explore

The Subject Explorer

Paints landscapes one week and figures the next — needs a guide that covers all subjects in depth.

school

The Serious Self-Taught

Learning without a teacher and wants the most thorough self-education possible in one volume.

How It Compares

Feature Big Book of Watercolor Essential Notebook Jean Haines
Pages 288 (largest) 168 128
Subject variety All subjects Technique-focused Atmospheric
Skill level All Levels All Levels Int. – Advanced
Teaching style Academic / Encyclopedic Observational Notes Philosophical

Frequently Asked Questions

Is this too advanced for a beginner? expand_more
It depends on how you use it. As a read-cover-to-cover workbook it can be overwhelming for a true beginner. But as a studio reference to look things up as you go — "how does masking fluid work?" or "how do I paint reflections?" — it's accessible at any level. Many beginners buy it alongside a project-focused book like Everyday Watercolor or Watercolor for the Absolute Beginner.
Is the content still relevant given the 1985 translation? expand_more
Overwhelmingly yes. Watercolor technique is one of the most stable bodies of knowledge in the visual arts. The physics of wet paper, the behavior of pigment, compositional principles — none of this has changed. The materials chapter references some older paints, but the principles translate directly to modern equivalents.
Does it cover both transparent and opaque (gouache) watercolor? expand_more
The book focuses primarily on transparent watercolor, which is the standard medium. Gouache and opaque techniques are addressed briefly in the materials section, but the demonstrations and exercises are built around transparent pigment on white paper. If you're specifically looking for gouache instruction, you'd want a dedicated gouache guide alongside this.
Our Conclusion

Final Verdict

The Big Book of Watercolor is the encyclopedic studio reference that every serious watercolor painter should own. Its breadth is unmatched, its production quality is excellent, and it will serve you from your first painting to your fiftieth. If you're building a watercolor library, this is the spine.

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Clara Rivers

Clara Rivers

Clara holds a BFA in Illustration from the Pacific Northwest College of Art and has taught watercolor workshops in Portland, Oregon since 2009. Published in Uppercase Magazine and Illustration Age. 200+ books personally reviewed.

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